Archive for June, 2009

It’s Not Yours Anymore

Sunday, June 28th, 2009

This is what you need to get used to: the book just doesn’t belong to you anymore. It is an old shift in perspective to hear that my publisher is finalizing the layout and galleys (camera-ready pages) of the book and talking to various folks in their network. I start to feel on the outside and that is a good thing. They know what they’re doing and I want a rest from the excitement (ha!) of editing.

But it means I start to see this amorphous blob of words and meaning that I’ve pushed around like the play-do for so long suddenly coalesce and become a solid object, one that is very detached from me. Again, this is not a bad feeling. It feels more like a teenager that has finally moved out and I am not sad, but sort of relieved. Some of the other writers I know have been nodding their heads: they keep saying what a relief it is to finally have the book taken from them.

It is also said that each book is a child you could have had. I’m glad I decided to do a book and not become a father until recently, as I needed to grow up. But if the book was a child, it would be a teenager by now. It has been that long.

Settings From The Novel

Friday, June 26th, 2009

Walking around Cap Rouge looking at the big trestle bridge and the across the St. Lawrence at the Pont du Quebec and remembering the settings from the novel. Everywhere in this lush summer are the tin sheathed twin steeples of the churches rising above the maples and the heavy stone houses and big iron bridges.

I joined the guys for a stag party down on the Grande Allée. Sat out on the terraces drinking micro-brew and watched the people wandering up and down the streets between the old stone houses that had been built 200 years ago. The parties last year celebrating the 400 year anniversary of Quebec City really brought home the depth of history there, and to walk the streets and see the big iron works helps understand the perspective of the voyageurs and traders that helped open up the West. It is so different than the wooden frame construction, and the high praries and montane of the Rockies.

Whence the Voyageurs Came

Monday, June 22nd, 2009

L’Islet sits on the windswept south shore of the St. Laurence, where it passes from river to estuary, and the low mountains of the Laurentians rise twenty kilometres across the water and the small islands in a dark blue haze of late spring.

Cap Saint Ignace and the Laurentians

We’re in Cap-St-Ignace at our little chalet, in Quebec for a wedding. The wind is humid and cold, coming up the river, heading south, and long low muddy waves splash against the outcrops of red rocks on the shore. Down the road about a kilometre still stands the old mill tower which held a windmill and was the heart of the fiefdom: the seigneurie, the Domaine of Vincelotte. This was one of the first in New France, and dates back to 1672. The seigneir, or feudal lord, owned all the lands and you can still see the long narrow strips of farms that combed back from the river. There were no roads for a long time. The river, instead, was the road and trade was moved by barge and canoe.

The habitants would farm in the summer, never so much, since the feudal taxes system did not motivate production. And in the winters the men would go off to work their trap lines, up river, past the narrows at Quebec and the big city at Montreal, to the Indian territory. Hunting for furs to earn their winter’s keep. They were the original trappers. When the British pushed in from Hudson Bay they were a thousand kilometres father inland than the French. And as the beaver were hunted to extinction around the Great Lakes, the men here would sign on as labourers and paddlers to move men and materiel deeper into the continent. The voyageurs.

They would return here in the winters, since travel was only during the summer months. Which is now why the farming was never as productive as it was around Toronto. The people here live in old houses, on land demarked centuries ago. Our chalet came down through my wife’s family. They’ve been here in L’Islet for fourteen generations. There is no memory of France. Just here. The people around here are friendly, there is little English spoken. It was an isolated patch of farming during the conquest, and even now it feels that way, even if it is connected by two highways, it is still a side-stop on the way to the Maritimes or the Chic-chocs. I think people here like it that way. They are insular. Farms here are quiet and fertile. Families have long lines within the same small town. You look at a phone book and there are only fifteen names, though 40 entries under each.

The sun is coming out, warming things up, turning the Laurentians to a deep green. When it gets beautiful here it really dresses up. Thousands of white birds with black wingtips, the Oiseaux Blanche, like they been dipped in ink, wheel around the shoreline. The hunters can not shoot between the road and the water, and interestingly, you will see fields of these birds nesting but never a one on the wrong side of the road.

Finally! Done the Proof, and the Middle Sister

Sunday, June 14th, 2009

Got an email from my publisher Firday night with the PDF of the galleries - two large PDF files marked-up by the proof reader. They need it back by Monday, if possible, so we can get it to printing by July 1st. No Problem!

The first thing I noticed is how clean the copy is, so many edits and rereads and there is just a clear, straight story now. Very lean and polished. I felt proud.

The second thing I noticed is that I could turn to any page and almost read blind the dialog and description. I’ve read it that many times. These characters are part of my family now. So weird to let them go, let the scenes go, but then again they feel deep and complete, liek something glanced at with satisfaction as you drive on.

Finally, I realised that there was very little to do. I managed it all in one day. There were some decisions on spelling or usage, and two places where I needed to drop the equivalent of two lines on a page to make an excerpt flow on the next page better, but the pages are so much smaller than a working page that it was easy.

So happy to be done, I sent it back and had an afternoon clear on Sunday. A bit cloudy but I went for it. Hiked up the Middle Sister here in Canmore in 2:50. Nothing like that in the world to clear the mental pipes and get the soul humming.  Here’s the veiw of them from my office. No longer will I look and dream, but now I get to dream and remember.

New Office and a Warm Glow

Friday, June 12th, 2009

Sitting in my new office (a recently walled off deck) looking out at the little sister, quietly celebrating the fact of having a door (a necessity of living with a one-and-a-half year old) and my own space to settle into.

There’s another reason for the contentedness (sp?). I just submitted an application for a mountain grant provided by the Banff Centre for Mountain Culture – my friends at the Book and Film Festival. Now, it was an exercise to switch hats and try and pitch the novel in terms of pure promotion (which is what I would use the grant for – publicity etc..) but the real reward was asking a few prominent supporters for letters to help me sell the worth of the project to the adjudication committee. When I got the letters back I was so overwhelmed that I felt I wouldn’t care about the grant. The fact that the book is currently in layout and the writing is done is a relief, but now that the promotion as begun I’m starting to get perspective on the story and the work and liking it a lot, but then getting these letters made me see how others see the results.

I wish I could post them, but that would be more like self-aggrandizement. And blogs are bad enough (no rewrites, no editing).

Many thanks and a shout-out to Bob Sandford for all the long years of support and encouragement. He’s always given so generously of his time and advice even though he’s the busiest guy I know. A lesson to learn myself.

To Don Gorman, publisher extraordinaire of Rocky Mountain Books, who initially expressed interest in the story and help me down the road to publication. A true friend of the mountains.

And finally to the extraordinary Katie Ives, senior editor at the Alpinist, who always amazes with her analysis and suggestions. She is the epitome of a dream editor.

It is amazing to emerge from the years of work on a novel to finally see the back cover (per se) and then hear some feedback that is not editorial in nature for changes, but passionate presentations for its value to the mountains.

Reading Again!

Friday, June 12th, 2009

I’m getting some spare time in the long bright evenings and so I’m back to reading Nabokov’s Lolita and just being blown away by his skill at holding the voice and emitting descriptions that otherwise would seem flowery but are just so perfect. It is writing like that which makes me stop dead and reconsider how I write myself. This guy is a master. And to think that English was not his first language! He wrote his first NINE novels in Russian. They guy dominates in English.

It is also works like this that I wonder how many rewrites he did and the depths of the edits – the finished work seems so polished and natural, even though he makes a thousand asides and changes up the presentation from pure narrative to a diary etc…

I’ve also just finished The Climb Up to Hell by Jack Olsen which was interesting, and curious to see how climbing non-fiction was done before the advent of Into Thin Air, which seemed to be a game-changer.

I’m also rereading an old fav: Zen and the Art of Motorcycle Maintenance which is good not just because I know where he goes in the book and the anticipation is strong, but because Pirsig says at the start that he wants to go slow and he really doesn’t rush…so how does he hold the reader so well? Just simple, interesting flows, I figure.

I’ve also got D’Arcy Jenish’s fantastic biography of David Thompson “Epic Wanderer” which opens up the history and his character in such context to his times and contemporary thinking that I wish I had read it before writing Hooker and Brown. Not that it would change that much, but now I feel like I know Thompson even more than just from reading histories and his journals.

Finally I have Lionel Terray’s “Conquistador’s of the Useless” going. It is a fun read, and demonstrates how hard it is to give a commentary about climbing – there is so much that is hard to describe: manky rotten rock, a dripping chimney, a ledge, and arête….and the gear, and the fear, and I wonder how close my visualization is to the real deal. I think he does a great job, but it is heightened by the fact that it is non-fiction. How hard it is to do in fiction!